Dream Wired
No Result
View All Result
  • Home
  • Celebrity
  • DramaAlert
  • Gossip
  • Movie
  • TV
  • Music
  • Comics
  • Shop
  • Home
  • Celebrity
  • DramaAlert
  • Gossip
  • Movie
  • TV
  • Music
  • Comics
  • Shop
No Result
View All Result
Dream Wired
No Result
View All Result
Home Movie

The Films of Powell and Pressburger’ Review

rmtsa by rmtsa
February 24, 2024
in Movie
0
The Films of Powell and Pressburger’ Review
74
SHARES
1.2k
VIEWS
Share on FacebookShare on Twitter


You might also like

Charlie Day Interested, Had Conversations About It

James Gunn Teases His SUPERMAN “Follow-Up” Film and Hints at a Mysterious New DCU Series — GeekTyrant

12 Forgotten 2005 Movies That Deserve to Be Rediscovered

In the narrator’s seat for David Hinton’s eloquent documentary on the filmmaking duo Michael Powell and Emeric Pressburger, Martin Scorsese is the ultimate fan. Tracing his all-around movie obsession to his first viewing of the U.K.-based pair’s 1948 tour de force, The Red Shoes, he leads us through a dozen of their features and a few of Powell’s solo efforts, connecting key sequences to memorable scenes in his own work. But beyond its clear explication of the films’ imaginative and technical power, Made in England is also a testament to mentorship and friendship; Scorsese was close to Powell, who died in 1990, for the last decade and a half of the British director’s life, and Powell married Scorsese’s longtime editor, Thelma Schoonmaker, in 1984.

The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on The Criterion Channel). Hinton sets the story in motion with a few brief and trenchant elements of Scorsese’s early biography: the childhood asthma that kept him off the playground and led to lots of movie-watching on TV, particularly on that formative touchstone for New Yorkers of a certain age, The Million Dollar Movie, where he could enjoy repeat showings of such early Powell efforts as The Thief of Bagdad. He became fascinated with the movies of The Archers, as Powell and Pressburger called their production company. When he was an up-and-coming filmmaker, Scorsese recalls, The Archers’ unusual shared credit — “written, produced and directed by” — was an alluring mystery.

Made in England: The Films of Powell and Pressburger

The Bottom Line

Eloquent and dynamic.

Venue: Berlin Film Festival (Berlinale Special)Narrator: Martin ScorseseDirector: David Hinton
2 hours 13 minutes

Using a straightforward chronology and unflashy but dynamic intercutting and split screens, Hinton deploys clips, stills, making-of footage and home movies, along with Scorsese’s single-location interview, to explore the filmmaking partnership. The Hungary-born Pressburger, who had fled the Nazis in Berlin and met Powell at a London story conference for a movie, impressed the Brit with the way he “stood the story on its head,” Powell recalls. The bond was instant and strong, and in excerpts from late-in-life interviews, their affection for each other is as evident as their intelligence and droll wit.

In their collaborations, Pressburger crafted the scripts, together they wrote the dialogue and produced, and Powell directed. The result was an especially influential run of features in the ’40s and early ’50s, movies with a bold sensibility and an emotional core that made an impression on Scorsese and his contemporaries in the New Hollywood, Coppola and De Palma among them. Lauding Powell and Pressburger’s ability to experiment within the system, Scorsese explains how The Red Shoes’ use of choreography and first-person perspective informed crucial sequences in Raging Bull and how its villain, the obsessed impresario Lermontov, is connected to the antihero Travis Bickle in Taxi Driver.

But while such features as 1947’s Black Narcissus and the following year’s The Red Shoes (“the ultimate subversive commercial movie,” per Scorsese) are well known for their hothouse intensity and embrace of artifice, it’s Scorsese’s deeply felt commentary on some of the less famous titles — The Life and Death of Colonel Blimp, A Canterbury Tale, The Small Back Room — that are most striking.

Powell and Pressburger, like most filmmakers in the 1940s, were facing the propaganda machinery of World War II. Winston Churchill didn’t like the satire in Colonel Blimp, but they changed nothing to please him. When the film division of Britain’s Ministry of Information asked the partners to make a movie to help Anglo-American relations, they came up with the antiwar romantic fantasy A Matter of Life and Death, probably not what the bureaucrats had in mind. In 49th Parallel, they make a clear and urgent distinction between Nazis and Germans — the kind of nuance we could still bear to be reminded of.

In the postwar era of hard-bitten noir, they bucked the trend to focus on the idea of renewal. But as Made in America convincingly argues, there’s nothing Pollyannaish about this kind of optimism, and the psychology can be at least as troubled and complex as that of overtly darker fare. Their 1949 film The Small Back Room is intimate and bleak as its war-weary protagonist reaches for rebirth. (Sometimes called the less evocative Hour of Glory, the black-and-white film includes the astonishing sight, not excerpted in the documentary, of a fictional weapon test conducted amid the stones of Stonehenge.)

His friendship with Powell notwithstanding, Scorsese doesn’t sugarcoat the features that didn’t work for the filmmaking duo in their last years of partnership — “confused,” “conventional,” “uninspired” are some of the conclusions he draws. But he stands by Powell’s daring 1960 solo effort Peeping Tom, the story of a serial killer and a film that, Scorsese says, shows “how close moviemaking can come to madness.” Against his favorable assessment, Hinton has some fun throwing lines on the screen from horrified critics’ pearl-clutching reactions.

Scorsese also notes the intense sadness that pervades Peeping Tom. Emotion courses through all the movie love in Made in England. Scorsese’s personal connection to Powell began when he sought him out in Britain and found him living in obscurity and facing hard times. Recalling Powell’s mention in his autobiography of their first meeting, Scorsese’s voice grows just a bit thicker. The American auteur is still at the top of his game, but, at 81, he’s inevitably looking back as well as forward. Through a sharp lens and with deep feeling, Hinton’s film is a celebration of committing oneself to art, and the creative bonds that fuel the spark.



Source link

Tags: FilmsPOWELLPressburgerReview
Share30Tweet19
rmtsa

rmtsa

Recommended For You

Charlie Day Interested, Had Conversations About It

by rmtsa
August 23, 2025
0
Charlie Day Interested, Had Conversations About It

Though Charlie Day and Jennifer Aniston‘s characters were often at odds in the Horrible Bosses films, they’re both aligned in wanting a third film in the R-rated comedy...

Read more

James Gunn Teases His SUPERMAN “Follow-Up” Film and Hints at a Mysterious New DCU Series — GeekTyrant

by rmtsa
August 23, 2025
0
James Gunn Teases His SUPERMAN “Follow-Up” Film and Hints at a Mysterious New DCU Series — GeekTyrant

James Gunn has been cooking up some big plans for the future of the DCU, and while Superman continues to fly high at the box office, the filmmaker...

Read more

12 Forgotten 2005 Movies That Deserve to Be Rediscovered

by rmtsa
August 23, 2025
0
12 Forgotten 2005 Movies That Deserve to Be Rediscovered

It’s hard to believe 2005 was 20 years ago.I remember 2005. I remember seeing Star Wars: Episode III — Revenge of the Sith on the big screen. I could tell...

Read more

Kobe Bryant Movie in Works at Warner Bros., Focusing on NBA Draft

by rmtsa
August 23, 2025
0
Kobe Bryant Movie in Works at Warner Bros., Focusing on NBA Draft

A film project centered around NBA superstar Kobe Bryant‘s journey to the Los Angeles Lakers has landed at Warner Bros., The Hollywood Reporter has confirmed. Alex Sohn and...

Read more

Raising Arizona still holds up

by rmtsa
August 23, 2025
0
Raising Arizona still holds up

I saw this movie dozens of times from 1988-1991, but hadn't watched it since then. 34 years later, I watched with my wife and our adult children who...

Read more
Next Post
Andy Cohen Apologizes Amid Brandi Glanville Allegation

Andy Cohen Apologizes Amid Brandi Glanville Allegation

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Browse by Category

  • Celebrity
  • Comics
  • DramaAlert
  • Gossip
  • Movie
  • Music
  • TV
  • Uncategorized

CATEGORIES

  • Celebrity
  • Comics
  • DramaAlert
  • Gossip
  • Movie
  • Music
  • TV
  • Uncategorized
No Result
View All Result

Recent News

  • 11 Celebrities Who Have Tried Intermittent Fasting
  • Charlie Day Interested, Had Conversations About It
  • Updates on Production After On-Set Death – Hollywood Life

Copyright © 2023 DramaWired.
DramaWired is a content aggregator and not responsible for the content of external sites.

No Result
View All Result
  • Home
  • Celebrity
  • DramaAlert
  • Gossip
  • Movie
  • TV
  • Music
  • Comics
  • Shop

Copyright © 2023 DramaWired.
DramaWired is a content aggregator and not responsible for the content of external sites.

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In