Eminem is making some bold statements with his new deluxe album titled “The Death of Slim Shady (Coup de grâce): Expanded Mourner’s Edition,” and he continues to take shots at Diddy while he’s still facing challenges.
In the updated version of “Fuel,” Eminem collaborates with Shady Records artists Westside Boogie and Grip. He dedicates a portion of his verse to revisiting the haunting details of some of rap’s most notorious unsolved murders.
RELATED: Eminem Throws Major Shade at Diddy on New Album
On the song Eminem can be heard rapping; “So who’ll be picked next, whose name gonna be next up? / Notorious B.I.G.’s death was the domino effect of Tupac’s murder / Like facial tissue, whose clock should I clean next? Puff’s? / ‘Til he’s in police handcuffs, guilty, will he step up? / Like gee, never turned himself in, who knows all the murders there’ll have been?!?”
The initial version of “Fuel” includes JID, an artist signed to J. Cole’s label, and it takes sharp aim at Diddy, critiquing him over the Cassie assault video and his previous behavior.
As we previously reported, Sean Diddy Combs is now confronted with a new lawsuit, this time from Dawn Richard, a former member of Danity Kane. The lawsuit outlines Richard’s distressing encounters with the music mogul and claims a troubling pattern of abusive behavior that echoes recent allegations made against Diddy.
RELATED: Benzino Says Dr. Dre Calling Eminem The “Best MC Ever” Is An “Insult” To Other Rappers
Dawn Richard, who rose to fame through Diddy’s 2004 reality show “Making The Band,” claims that Diddy manipulated her by promising to help advance her music career in return for her compliance with his alleged demands. She describes being subjected to intimidation, humiliation, and sexual abuse by Diddy.
Court documents obtained by TMZ reveal that Richard recounts instances of Diddy verbally assaulting female contestants, using derogatory language like “fat,” “ugly,” “b*tches,” and “hoes.” According to her, the emotional impact of these experiences left her feeling unsafe, particularly after witnessing an incident involving Kim Porter. Richard asserts that in 2005, she saw Porter leaving a recording studio in visible distress and with noticeable injuries.
