Thony Crosses a Line she can’t Uncross

“Mercy” – THE CLEANING LADY, Pictured: Elodie Yung as Thony De La Rosa and Santiago Cabrera as Jorge Sanchez. Photo: Jeff Neumann/FOX ©2025 Fox Media LLC. All Rights Reserved.But ultimately, compassion can’t always win in the world she’s stepped into. Jorge forces her hand, tells her to wake Rex with adrenaline. Thony complies, but the moment is crushing. Rex dies, terrified, in her arms. She did everything right as a doctor—preserved his dignity, eased his pain, ended his suffering. Because deep down, she knew the truth: no matter what Rex said, Neto was going to kill him. So she took that choice into her own hands and gave him the only mercy she could. Still, mercy or not, she killed a man. And while she tries to pin the blame on Jorge, he says it plainly—she made that decision. And that’s something Thony won’t be able to forget… or forgive.

And Jorge? This is the episode he truly becomes Sin Cara. With Ramona whispering vengeance in his ear, he finally delivers retribution, old-school cartel style. That final scene, where he kills Neto in front of the bosses, solidifies his transformation. The metaphor with the lithium—resilient, corrosive, dangerous under pressure—perfectly parallels Jorge’s arc. He’s not just trying to survive anymore. He’s declaring war.

Meanwhile, Ramona is running her own vengeance plot inside prison. Her manipulation of Chiqui through faux witchcraft is masterful and terrifying, ending in one of the episode’s most haunting deaths. Chiqui collapses from poisoned tea as Ramona coolly continues her seance act, one step closer to consolidating her power. Ramona isn’t just surviving behind bars—she’s conquering.

On the home front, Fiona’s side hustle saga hits a boiling point. She’s so desperate to provide for her family that she decides to work under a stolen identity. It’s a storyline that grounds the show in real-world stakes—and serves as a brutal mirror to Thony’s own compromises. But Fiona’s struggle isn’t just financial—it’s emotional, too. Her breakdown after being rejected from a ride because of her beat-up van is so real it hurts. That moment of humiliation hits even harder when Jaz, her daughter who does everything right, ends up left behind—literally and emotionally. Jaz feels like she’s always the one holding it together, the “good kid” who still ends up overlooked. Her explosive confrontation with Fiona and Chris is raw and earned, especially as she calls out the favoritism that’s been building for seasons.

At the same time, Chris is off bonding with Ted over drag racing and fixing up cars—specifically, Fiona’s van, which they soup up together into a makeshift hot rod. It’s the first time we’ve seen Chris light up in a while, and it hints at a path for him outside the pressure of school and GEDs. In the end, it’s that same van—the one that made Fiona feel ashamed—that becomes a symbol of joy and resilience. As Fiona, Chris, and Jaz pile in for a joyride, there’s laughter, release, and for just a moment, everything feels okay.

And let’s not overlook Thony and Dr. Dupont. What started as cold hostility is slowly thawing into something deeper. Their banter is now edged with respect, vulnerability, even a little flirtation. Dupont’s comment—”Maybe hell isn’t other people. Maybe it’s being alone”—might be one of the best lines of the episode. That quiet moment of connection between two people scarred by death? Chef’s kiss.

But it’s the final scene that leaves the most lasting mark. Thony keeps her promise to Rex, delivering the money to his family’s doorstep. As she watches his kids run out calling for their dad, her face says it all: this wasn’t justice, it wasn’t closure—it was just pain. And someone is watching her. Following her. Because in Thony’s world, mercy is never free.

“Mercy” is a masterpiece of moral complexity. Every character is stuck in a place where doing the right thing costs too much, and doing the wrong thing might be the only option. It’s brutal, emotional, and brilliantly written. Thony wanted to be a doctor again. But what kind of doctor watches patients die at the hands of men she works for? What kind of savior kills softly and calls it mercy? This episode doesn’t just ask those questions—it lives in them.