In a musical era saturated with releases expressly designed for virality, Acyan’s new Ghost Town EP delivers a breath of hauntingly fresh air. Out now via Wubaholics, the five-track project growls and groans with the eerie ambience of the forgotten towns that inspired it.
There’s an honesty to Ghost Town that makes it stand apart. Acyan, whose day job as a Fort Collins bus driver lends him an unpretentious mystique, brings a rare depth of intent. Where others settle for filthy beats and call it a day, he built a narrative shaped by a solo road trip through rural America.
Ghost Town is a post-industrial tone poem told through trap beats both unsettling and captivating. The opening track “RAVEN” sets the scene with delirious, claustrophobic energy that evokes the terror of being followed by a malicious entity. But it remains curiously danceable, a tightly coiled track that presents Acyan as both technician and storyteller.
“KEOTA” follows with more grime, unease and cleverness with delicately crafted sound design that conveys Acyan’s chaotic emotional state. A tempo switch in the second drop adds notable flair, seeming as if the track itself is dodging ghosts. Each element feels ominously lab-grown, but the track’s emotional potency keeps it afloat in a way that no amount of technical know-how could.
By the time we reach the EP’s closer “URAVAN,” the tone shifts. It’s not quite catharsis, but it’s something like a sunrise over an empty landscape. Airier and quietly triumphant, it rounds out the EP with a brief release from the existential dread preceding it.
With support from icons like Skrillex and RL Grime, and a fast-climbing profile bolstered by high-profile festival performances, Acyan is emerging as a force to be reckoned with in bass music. Ghost Town feels like a message sent from the edge of isolation, but it’s sure to bring people together through its unique sonic identity and depth.
Listen to Ghost Town below and find the new EP on streaming platforms here.
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